Margit Hartnagel
I understand each of my paintings as an approach toward the 'ultimate painting'.
There isn't a single absolute picture, there are always variations, different aspects of the one, in series.
Over a period of ten years, I have explored the possibilities of an 'empty painting'. Nothing really to see on, but exactly enough so as to see this nothingness - or fullness. Something that exists - yet not fixed but moving. It is only to be defined by the viewer. Defined each moment anew as the moment that is - now. No story, no form, no message, no idea. I could continue in Ad Reinhard's spirit or in Mark Rothko's, or in Agnes Martin's. But neither do I want to create an absolute, objective 'clean' painting, nor a painting as a relative, subjective gesture.
My approach is to fix and overcome this dualism.
Translated by Axel Fussi
This website is under construction. The content in english language will follow shortly. Please check back later. Thank you.